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How to Master Your Tracks with Vengeance Mastering Suite Plugin Multiband Compressor



Vengeance Mastering Suite Plugin Multiband Compressor: A Review




If you are looking for a multiband compressor plugin that can give you a punchy, loud, but yet dynamic mix, you might want to check out the Vengeance Mastering Suite Plugin Multiband Compressor (VMS-MBC) from Vengeance Sound. This plugin is not only a powerful tool for mastering, but also a versatile device for creating unique effects and enhancing your sound. In this article, we will review the features, benefits, and drawbacks of VMS-MBC, and give you some tips and tricks on how to use it effectively.




Vengeance Mastering Suite Plugin Multiband Compressor .rar.torrentl



Introduction




What is Vengeance Mastering Suite Plugin Multiband Compressor (VMS-MBC)?


VMS-MBC is a multiband compressor plugin that allows you to control the dynamics of your audio signal in up to four frequency bands. You can choose from different filter models, from 6 dB to 96 dB per octave, without any phasing issues. You can also adjust the threshold, ratio, attack, release, knee, gain, and mix parameters for each band independently. Additionally, you can apply up to four limiters (one for each band) and one mastering limiter (sum) to prevent clipping and distortion. VMS-MBC also features a graphical display that shows you the ratio/threshold curve, the input/output waveform scopes, and the real-time FFT analyzer. Moreover, VMS-MBC has a unique feature called the DPC (dynamic pattern compressor), which allows you to create custom compression patterns based on the input signal. You can also use the New York Compression technique with VMS-MBC by blending the compressed signal with the original signal using the mix knob.


What are the main features and benefits of VMS-MBC?


Some of the main features and benefits of VMS-MBC are:


  • It can handle any kind of audio material, from drums and vocals to synths and guitars.



  • It can create a punchy, loud, but yet dynamic mix that preserves the clarity and balance of your audio.



  • It can enhance your sound with different filter models, compressors, limiters, and other parameters.



  • It can create unique effects and dynamics with the DPC feature and the New York Compression technique.



  • It has a user-friendly interface with a graphical display and an analyzer.



  • It is compatible with most DAWs and supports VST, AU, AAX formats.



What are the system requirements and compatibility of VMS-MBC?


The system requirements and compatibility of VMS-MBC are:


Operating System


Processor


RAM


Hard Disk Space


Windows 7 or higher (32/64 bit)


Intel Core 2 Duo or AMD Athlon 64 X2 or higher


4 GB or more


100 MB or more


Mac OS X 10.8 or higher (32/64 bit)


Intel Core 2 Duo or higher


4 GB or more


100 MB or more


How to use VMS-MBC




How to install and activate VMS-MBC


To install and activate VMS-MBC, you need to follow these steps:


  • Download the installer from the Vengeance Sound website.



  • Run the installer and follow the instructions on the screen.



  • Choose the plugin format and the destination folder for your installation.



  • Launch your DAW and scan for new plugins.



  • Insert VMS-MBC on an audio track or a bus.



  • Enter your license key when prompted. You can find your license key in your Vengeance Sound user account.



  • Enjoy using VMS-MBC!



How to choose between 1, 2, 3, or 4 band mode


VMS-MBC allows you to choose between 1, 2, 3, or 4 band mode, depending on how much control you want over the frequency spectrum of your audio. To choose between different band modes, you need to follow these steps:


  • Click on the BANDS button on the top left corner of the plugin interface.



  • Select the number of bands you want to use from the drop-down menu.



  • The plugin will automatically split the frequency spectrum into equal parts according to the number of bands you selected.



  • You can adjust the crossover frequencies between the bands by dragging the vertical lines on the graphical display.



  • You can solo or mute each band by clicking on the S or M buttons below the graphical display.



  • You can also bypass each band by clicking on the BYPASS button below the graphical display.



  • You can adjust the parameters for each band independently by clicking on the corresponding tabs below the graphical display.



How to adjust the filter models, compressors, limiters, and other parameters


VMS-MBC allows you to adjust various parameters for each band independently, such as the filter models, compressors, limiters, and other settings. To adjust these parameters, you need to follow these steps:



  • Select the band you want to edit by clicking on the corresponding tab below the graphical display.



  • Select the filter model you want to use for that band from the drop-down menu next to the FILTER MODEL label. You can choose from 6 dB, 12 dB, 24 dB, 48 dB, and 96 dB per octave filter models. The higher the filter model, the steeper the slope of the filter curve.



  • Adjust the threshold, ratio, attack, release, knee, gain, and mix parameters for that band using the knobs below the filter model menu. These parameters control how much compression is applied to that band and how it affects the output signal. You can also use the graphical display to adjust these parameters by dragging the points on the ratio/threshold curve.



  • The threshold parameter sets the level at which compression starts to occur. The lower the threshold, the more compression is applied.



  • The ratio parameter sets how much compression is applied once the signal exceeds the threshold. The higher the ratio, the more compression is applied.



  • The attack parameter sets how fast compression starts to occur once the signal exceeds the threshold. The lower the attack, the faster compression starts to occur.



  • The release parameter sets how fast compression stops to occur once the signal falls below the threshold. The lower the release, the faster compression stops to occur.



  • The knee parameter sets how smooth or hard is the transition between compressed and uncompressed signal. The higher the knee, the smoother is the transition.



  • The gain parameter sets how much makeup gain is applied to that band after compression. The higher the gain, the louder is the output signal.



  • The mix parameter sets how much of the compressed signal is blended with the original signal. The higher the mix, the more compression is heard.



  • Apply a limiter to that band by clicking on the LIMITER button below the mix knob. A limiter is a device that prevents the signal from exceeding a certain level, thus avoiding clipping and distortion. You can adjust the threshold and release parameters for the limiter using the knobs next to the limiter button.



  • The threshold parameter sets the level at which limiting starts to occur. The lower the threshold, the more limiting is applied.



  • The release parameter sets how fast limiting stops to occur once the signal falls below the threshold. The lower the release, the faster limiting stops to occur.



  • Repeat these steps for each band you want to edit.



  • Apply a mastering limiter to the sum of all bands by clicking on the LIMITER button on the top right corner of the plugin interface. A mastering limiter is a device that prevents the overall output signal from exceeding a certain level, thus ensuring a consistent loudness and avoiding clipping and distortion. You can adjust the threshold and release parameters for the mastering limiter using the knobs next to the limiter button.



  • The threshold parameter sets the level at which limiting starts to occur. The lower the threshold, the more limiting is applied.



  • The release parameter sets how fast limiting stops to occur once the signal falls below the threshold. The lower the release, the faster limiting stops to occur.



How to use the graphical display and the analyzer


VMS-MBC features a graphical display that shows you various information about your audio signal and your compression settings. You can use the graphical display and the analyzer to monitor and adjust your audio signal in real time. To use the graphical display and the analyzer, you need to follow these steps:


  • Select the band you want to view by clicking on the corresponding tab below the graphical display.



  • View the ratio/threshold curve for that band on the left side of the graphical display. The ratio/threshold curve shows you how much compression is applied to that band depending on the input level. You can adjust this curve by dragging the points on it or by using the knobs below the graphical display.



  • View the input/output waveform scopes for that band on the right side of the graphical display. The input/output waveform scopes show you the shape and amplitude of your audio signal before and after compression. You can zoom in and out of the waveform scopes by using the mouse wheel or by clicking on the ZOOM buttons below the graphical display.



  • View the real-time FFT analyzer for that band on the bottom of the graphical display. The FFT analyzer shows you the frequency spectrum of your audio signal before and after compression. You can adjust the resolution and range of the FFT analyzer by using the knobs next to the FFT label below the graphical display.



  • Repeat these steps for each band you want to view.



  • View the sum of all bands by clicking on the SUM tab below the graphical display. You can view the ratio/threshold curve, the input/output waveform scopes, and the FFT analyzer for the sum of all bands in the same way as for each individual band.



How to use the DPC (dynamic pattern compressor) feature


VMS-MBC has a unique feature called the DPC (dynamic pattern compressor), which allows you to create custom compression patterns based on the input signal. The DPC feature can create interesting effects and dynamics that are not possible with conventional compressors. To use the DPC feature, you need to follow these steps:


  • Select the band you want to apply the DPC feature to by clicking on the corresponding tab below the graphical display.



  • Click on the DPC button below the mix knob. A new window will open with a grid and a waveform scope.



  • The grid represents 16 steps of a pattern, where each step corresponds to a compression ratio. The waveform scope shows you how your audio signal is affected by the DPC feature.



  • You can draw your own pattern on the grid by clicking and dragging on it. You can also use one of the preset patterns by clicking on the PATTERN button on the top left corner of the window.



  • You can adjust the speed, length, swing, and smooth parameters for your pattern using the knobs below the grid. These parameters control how fast, how long, how rhythmic, and how smooth your pattern is.



  • You can adjust the threshold, ratio, attack, release, knee, gain, and mix parameters for the DPC feature using the knobs on the right side of the window. These parameters work in the same way as for the normal compressor, except that the ratio parameter is multiplied by the ratio of each step of the pattern.



  • You can also apply a limiter to the DPC feature by clicking on the LIMITER button on the right side of the window. You can adjust the threshold and release parameters for the limiter using the knobs next to the limiter button.



  • You can preview how your audio signal sounds with the DPC feature by clicking on the PLAY button on the bottom left corner of the window. You can also compare it with the original signal by clicking on the AB button on the bottom right corner of the window.



  • When you are satisfied with your DPC settings, click on the OK button on the top right corner of the window to close it and apply the DPC feature to your audio signal.



  • Repeat these steps for each band you want to apply the DPC feature to.



Tips and tricks for using VMS-MBC




How to use VMS-MBC for mastering, mixing, and sound design


VMS-MBC is a versatile plugin that can be used for different purposes, such as mastering, mixing, and sound design. Here are some tips and tricks on how to use VMS-MBC for these purposes:


  • For mastering, you can use VMS-MBC to control the dynamics and loudness of your final mix. You can use 3 or 4 band mode to split your mix into low, mid, high, and ultra-high frequency bands. You can then adjust the compression and limiting parameters for each band to achieve a balanced and consistent sound. You can also use the DPC feature to create some subtle movement and variation in your mix. You can also use the mastering limiter to prevent clipping and distortion and to increase the overall loudness of your mix.



  • For mixing, you can use VMS-MBC to control the dynamics and tone of your individual tracks or buses. You can use 1 or 2 band mode to apply compression and limiting to your tracks or buses as a whole. You can also use 3 or 4 band mode to split your tracks or buses into different frequency bands and apply compression and limiting to each band separately. This way, you can enhance or reduce certain frequencies of your tracks or buses without affecting other frequencies. You can also use the DPC feature to create some interesting effects and dynamics on your tracks or buses. You can also use the New York Compression technique to add some punch and presence to your tracks or buses.



  • For sound design, you can use VMS-MBC to create unique and experimental sounds from any audio source. You can use 4 band mode to split your audio source into four frequency bands and apply different compression and limiting settings to each band. You can also use the DPC feature to create complex and rhythmic patterns on each band. You can also use the New York Compression technique to create parallel compression effects on your audio source. You can also use the filter models, the gain, and the mix parameters to shape and blend your audio source in different ways.



How to use VMS-MBC for different genres and styles of music


VMS-MBC can be used for different genres and styles of music, depending on how you set the parameters and how you apply the plugin. Here are some examples of how to use VMS-MBC for different genres and styles of music:


  • For EDM, you can use VMS-MBC to make your drums, bass, synths, and vocals sound punchy, loud, and clear. You can use 3 or 4 band mode to split your tracks or buses into low, mid, high, and ultra-high frequency bands. You can then apply compression and limiting to each band to achieve a tight and consistent sound. You can also use the DPC feature to create some movement and variation in your tracks or buses. You can also use the New York Compression technique to add some energy and excitement to your tracks or buses.



  • For rock, you can use VMS-MBC to make your guitars, drums, bass, and vocals sound powerful, warm, and dynamic. You can use 2 or 3 band mode to split your tracks or buses into low, mid, and high frequency bands. You can then apply compression and limiting to each band to achieve a balanced and natural sound. You can also use the DPC feature to create some subtle effects and dynamics on your tracks or buses. You can also use the New York Compression technique to add some punch and presence to your tracks or buses.



  • For jazz, you can use VMS-MBC to make your instruments and vocals sound smooth, rich, and expressive. You can use 1 or 2 band mode to apply compression and limiting to your tracks or buses as a whole. You can then adjust the threshold, ratio, attack, release, knee, gain, and mix parameters to achieve a soft and gentle compression that preserves the dynamics and nuances of your audio. You can also use the DPC feature to create some variation and expression on your tracks or buses. You can also use the New York Compression technique to add some smoothness and warmth to your tracks or buses.



How to use VMS-MBC for creating unique effects and dynamics


VMS-MBC can also be used for creating unique effects and dynamics that can enhance your sound and make it more interesting and creative. Here are some examples of how to use VMS-MBC for creating unique effects and dynamics:


  • For creating a sidechain compression effect, you can use VMS-MBC to duck the volume of one track or bus based on the input of another track or bus. For example, you can duck the volume of a synth pad based on the input of a kick drum. To do this, you need to follow these steps:



  • Insert VMS-MBC on the track or bus you want to duck (e.g., the synth pad).



  • Click on the SIDECHAIN button on the top left corner of the plugin interface.



  • Select the track or bus you want to use as the sidechain input (e.g., the kick drum) from the drop-down menu next to the sidechain button.



  • Adjust the threshold, ratio, attack, release, knee, gain, and mix parameters for VMS-MBC to achieve the desired amount and shape of ducking.



  • You can also use the DPC feature to create custom ducking patterns based on the sidechain input.



  • For creating a parallel compression effect, you can use VMS-MBC to blend a heavily compressed signal with the original signal. This way, you can add some punch and presence to your sound without losing its dynamics and transients. To do this, you need to follow these steps:



  • Insert VMS-MBC on the track or bus you want to apply parallel compression to.



  • Adjust the threshold, ratio, attack, release, knee, gain, and mix parameters for VMS-MBC to achieve a heavy compression on your signal.



  • Use the mix parameter to blend the compressed signal with the original signal. The higher the mix, the more compression is heard.



  • You can also use the DPC feature to create custom compression patterns for your parallel compression.



  • For creating a multiband distortion effect, you can use VMS-MBC to apply different amounts of distortion to different frequency bands of your signal. This way, you can add some grit and character to your sound without making it too harsh or muddy. To do this, you need to follow these steps:



  • Insert VMS-MBC on the track or bus you want to apply multiband distortion to.



  • Select 3 or 4 band mode for VMS-MBC and adjust the crossover frequencies between the bands according to your preference.



  • Apply a limiter to each band by clicking on the limiter button below the mix knob.



  • Lower the threshold parameter for each limiter until you hear some distortion on that band. The lower the threshold, the more distortion is applied.



  • Adjust the release parameter for each limiter to control how fast the distortion stops to occur once the signal falls below the threshold. The lower the release, the faster the distortion stops to occur.



  • Adjust the gain parameter for each band to compensate for the volume loss or increase caused by the distortion.



Use the mix parameter to blend the distorted signal with th


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